دورية أكاديمية
BEYOND THE HORIZON: THE DEPICTION OF TIME IN KARLHEINZ STOCKHAUSEN'S KLANG
| العنوان: | BEYOND THE HORIZON: THE DEPICTION OF TIME IN KARLHEINZ STOCKHAUSEN'S KLANG |
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| المؤلفون: | Parsons, Ian |
| المصدر: | Tempo ; volume 75, issue 295, page 6-16 ; ISSN 0040-2982 1478-2286 |
| بيانات النشر: | Cambridge University Press (CUP) |
| سنة النشر: | 2020 |
| مصطلحات موضوعية: | Music |
| الوصف: | Karlheinz Stockhausen's cycle of chamber and electronic music, KLANG – die 24 Stunden des Tages (SOUND – The 24 Hours of the Day) was one of several music cycles, both realised and planned, in which the composer sought to capture the passage and meaning of time. Stockhausen's death in 2007 left KLANG with only 21 of its proposed 24 pieces composed. This article draws on Martin Heidegger's concept of time as ‘the horizon for the understanding of being’ as a lens through which to examine the musical content and imagery of KLANG and as a means of understanding the notion of being that Stockhausen conveyed in these compositions written at the end of his life. It will suggest a significant difference in Stockhausen's thinking about the nature of life and being, moving from the cyclic concepts conveyed in the earlier time-focused works such as SIRIUS and LICHT to a more linear notion of being in KLANG . Finally, the article will use this analysis to suggest that, despite Stockhausen's stated intentions to compose two more time-focused cycles after KLANG , he had begun to confront his own mortality, while continuing to believe in the possibility, if not the knowability, of hope beyond death. |
| نوع الوثيقة: | article in journal/newspaper |
| اللغة: | English |
| DOI: | 10.1017/s0040298220000649 |
| الإتاحة: | https://doi.org/10.1017/s0040298220000649Test https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0040298220000649Test |
| حقوق: | https://www.cambridge.org/core/termsTest |
| رقم الانضمام: | edsbas.CB95D7AD |
| قاعدة البيانات: | BASE |
| DOI: | 10.1017/s0040298220000649 |
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