مؤتمر
Shaping and Exploring Interactive Motion-Sound Mappings Using Online Clustering Techniques
| العنوان: | Shaping and Exploring Interactive Motion-Sound Mappings Using Online Clustering Techniques |
|---|---|
| المؤلفون: | Scurto, Hugo, Bevilacqua, Frédéric, Françoise, Jules |
| المساهمون: | Interaction Son Musique Mouvement Paris, Sciences et Technologies de la Musique et du Son (STMS), Institut de Recherche et Coordination Acoustique/Musique (IRCAM)-Université Pierre et Marie Curie - Paris 6 (UPMC)-Centre National de la Recherche Scientifique (CNRS)-Institut de Recherche et Coordination Acoustique/Musique (IRCAM)-Université Pierre et Marie Curie - Paris 6 (UPMC)-Centre National de la Recherche Scientifique (CNRS), School of Interactive Arts and Technologies (SIAT), Simon Fraser University (SFU.ca) |
| المصدر: | NIME 2017 proceedings ; Proceedings of the 17th International Conference on New Interfaces for Musical Expression (NIME 2017) ; https://hal.archives-ouvertes.fr/hal-01577806Test ; Proceedings of the 17th International Conference on New Interfaces for Musical Expression (NIME 2017), May 2017, Copenhague, Denmark |
| بيانات النشر: | HAL CCSD |
| سنة النشر: | 2017 |
| المجموعة: | Archive ouverte HAL (Hyper Article en Ligne, CCSD - Centre pour la Communication Scientifique Directe) |
| مصطلحات موضوعية: | Machine Learning, Embodied Interaction, Motion, Sound, Expressiveness, [INFO.INFO-HC]Computer Science [cs]/Human-Computer Interaction [cs.HC], [INFO.INFO-AI]Computer Science [cs]/Artificial Intelligence [cs.AI], [INFO.INFO-MM]Computer Science [cs]/Multimedia [cs.MM], [INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD] |
| جغرافية الموضوع: | Copenhague, Denmark |
| الوصف: | International audience ; Machine learning tools for designing motion-sound relationships often rely on a two-phase iterative process, where users must alternate between designing gestures and performing mappings. We present a first prototype of a user adaptable tool that aims at merging these design and performance steps into one fully interactive experience. It is based on an online learning implementation of a Gaus-sian Mixture Model supporting real-time adaptation to user movement and generation of sound parameters. To allow both fine-tune modification tasks and open-ended improvi-sational practices, we designed two interaction modes that either let users shape, or guide interactive motion-sound mappings. Considering an improvisational use case, we propose two example musical applications to illustrate how our tool might support various forms of corporeal engagement with sound, and inspire further perspectives for machine learning-mediated embodied musical expression. |
| نوع الوثيقة: | conference object |
| اللغة: | English |
| العلاقة: | hal-01577806; https://hal.archives-ouvertes.fr/hal-01577806Test; https://hal.archives-ouvertes.fr/hal-01577806/documentTest; https://hal.archives-ouvertes.fr/hal-01577806/file/NIME2017_paper_298_cameraready.pdfTest |
| الإتاحة: | https://hal.archives-ouvertes.fr/hal-01577806Test https://hal.archives-ouvertes.fr/hal-01577806/documentTest https://hal.archives-ouvertes.fr/hal-01577806/file/NIME2017_paper_298_cameraready.pdfTest |
| حقوق: | info:eu-repo/semantics/OpenAccess |
| رقم الانضمام: | edsbas.9EE820B3 |
| قاعدة البيانات: | BASE |
| الوصف غير متاح. |