دورية أكاديمية
Lithic Geopoetics ; Geopoéticas líticas
العنوان: | Lithic Geopoetics ; Geopoéticas líticas |
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المؤلفون: | Castro, Azucena |
المصدر: | Punto sur; Núm. 8 (2023): Enero-Junio; 114-138 ; 2683-7404 |
بيانات النشر: | Instituto de Geografía "Romualdo Ardissone", UBA |
سنة النشر: | 2023 |
المجموعة: | Repositorio Digital Institucional - Universidad de Buenos Aires (RDI UBA) |
مصطلحات موضوعية: | contemporary art, geological turn, technoaesthetics, geopoetics, in/posthuman geography, arte contemporáneo, giro geológico, tecnoestéticas, geopoéticas, geografía in/posthumana, arte contemporânea, virada geológica, tecnoestética, geopoética, geografia in/pós-humana |
الوصف: | This article addresses contemporary artistic practices that resignify the relationship between human and geology, anthropos and geos, through approaches to the materiality of stones and rocks in coastal areas of Peru and Argentina. I study how contemporary artistic practices activate stone perceptions and lithic epistemologies that challenge the extractive gaze by employing technological and aesthetic elaborations (technoaesthetic) centered on rocks and stones. My analysis focuses on how stone and rock are understood from weaving as a craft technology in Ana Teresa Barboza’s work (Peru), and in Mariana Pellejero’s work (Argentina), who uses frottage and digital sonification. Both works explore new forms of corporeal and affective perception with rocks and stones. Based on theories about the “geological turn” in the humanities and social sciences and inhuman geography, I analyze these artistic practices to contribute to contemporary geographical knowledge combined with geology from situated practices in Latin America. With the aim to question the territorial perceptions imposed by extractive capitalism, this article discusses what I call here “lithic geopoetics” as a notion that describes these artistic practices that engage the materiality of rocks and stones. Lithic geopoetics invites to reflect on how the territory is perceived to open new perspectives in the artistic and geographic field. ; Este artículo aborda prácticas artísticas contemporáneas que redefinen la relación entre los seres humanos y la geología, antropos y geos, a través de enfoques en la materialidad de las piedras y rocas en las zonas costeras de Perú y Argentina. Se examina cómo estas prácticas artísticas activan percepciones y epistemologías líticas que desafían la mirada extractiva, mediante la utilización de elaboraciones tecnológicas y estéticas (tecnoestéticas) centradas en las rocas y piedras. El análisis se centra en las obras de Ana Teresa Barboza (Perú), donde la piedra y la roca son concebidas como parte de un tejido que funciona ... |
نوع الوثيقة: | article in journal/newspaper |
وصف الملف: | application/pdf; text/html |
اللغة: | Spanish; Castilian |
العلاقة: | http://revistascientificas.filo.uba.ar/index.php/RPS/article/view/11751/11500Test; http://revistascientificas.filo.uba.ar/index.php/RPS/article/view/11751/11520Test; http://revistascientificas.filo.uba.ar/index.php/RPS/article/view/11751Test; http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=puntosur&d=11751_oaiTest |
DOI: | 10.34096/ps.n8.11751 |
الإتاحة: | https://doi.org/10.34096/ps.n8.11751Test http://revistascientificas.filo.uba.ar/index.php/RPS/article/view/11751Test http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=puntosur&d=11751_oaiTest |
رقم الانضمام: | edsbas.5545EAAB |
قاعدة البيانات: | BASE |
DOI: | 10.34096/ps.n8.11751 |
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