دورية أكاديمية
Poétique des réseaux
| العنوان: | Poétique des réseaux |
|---|---|
| المؤلفون: | Nardone, Michael |
| بيانات النشر: | Département des littératures de langue française Érudit |
| سنة النشر: | 2021 |
| المجموعة: | Érudit.org (Université Montréal) |
| مصطلحات موضوعية: | Poétique, Réseaux, Poésie contemporaine, Études numériques, Infrastructure, Études littéraires, Format, Accès, Circulation, UbuWeb, PennSound, Electronic Poetry Center, Poetics, Networks, Contemporary Poetry, Digital Studies, Literary Studies, Access |
| الوصف: | Depuis les années 1990, le dépôt numérique est devenu l'une des formes médiatiques les plus importantes pour la publication, la dissémination et l'entreposage d'oeuvres littéraires. En incorporant les qualités d'autres plateformes déjà vitales pour les communautés littéraires et artistiques alternatives telles que la revue à faible tirage, l'anthologie et la série de lectures, le dépôt numérique appelle une redéfinition de ce qu'est une oeuvre littéraire, tout en éclairant certains termes critiques d'usage en poétique. Cet article consiste en une analyse des infrastructures culturelles et techniques de trois dépôts numériques d'importance pour la poésie ayant surgi au tout début de l'histoire du Web : l'Electronic Poetry Center, UbuWeb, et PennSound. J'effectue ici un survol médiatico-historique des textes et contextes qui ont défini ces dépôts, avec une attention particulière aux matériels et aux protocoles qui ont servi à leur instanciation. En traitant ces dépôts à la lumière de trois critères particuliers, soit l'accès, la circulation et le format, cet essai fonde une méthodologie critique visant une production littéraire dans le contexte des milieux numériques réseautés. ; Since the mid-1990s, the digital repository has become one of the most important medial forms for the publication, distribution, and storage of literary works. Incorporating characteristics of other vital platforms for alternative literary and artistic communities, such as the little magazine, the anthology, and the reading series, the digital repository has impacted the status of what a literary work is, and casts in a new light certain critical terms for poetics. This article focuses on the cultural-technical infrastructures of three prominent repositories related to poetry on the early Web -- the Electronic Poetry Center, UbuWeb, and PennSound. It presents a media-historical overview of each repository’s texts and contexts, with special attention to the materials and protocols involved in their production. By approaching the ... |
| نوع الوثيقة: | text |
| اللغة: | French |
| العلاقة: | Sens public; vol. no. (2021); http://id.erudit.org/iderudit/1089594arTest |
| DOI: | 10.7202/1089594ar |
| الإتاحة: | https://doi.org/10.7202/1089594arTest http://id.erudit.org/iderudit/1089594arTest |
| حقوق: | ©, 2021, MichaelNardone |
| رقم الانضمام: | edsbas.3CAB381 |
| قاعدة البيانات: | BASE |
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