دورية أكاديمية
Cultural and religious unification through music in Desert Rose's Silence of the Music.
| العنوان: | Cultural and religious unification through music in Desert Rose's Silence of the Music. |
|---|---|
| المؤلفون: | Fernandez, Julian C1 juliancfernandez@gmail.com |
| المصدر: | Journal of the Musical Arts in Africa. 2011, Vol. 8 Issue 1, p87-100. 14p. |
| مصطلحات موضوعية: | *PREJUDICES, *APARTHEID, *THEATER, *MUSICAL style |
| مصطلحات جغرافية: | SOUTH Africa |
| الشركة/الكيان: | DESERT Rose (Company) |
| Reviews & Products: | SILENCE of the Music (Theatrical production) |
| مستخلص: | Silence of the Music is a musical theatre piece produced by Desert Rose in 2010. The production not only addresses themes of prejudice and intercultural discrepancies in post-apartheid South Africa, but also carries a message of love and unity. The unifying factor in the show is music – the fusing together of the musics of different ethnicities, religions and cultures. In this article I investigate the ways in which the composer Holmes-Ganief merges different and juxtaposing musical styles in one production as well as looking at the link between music and emotion as a way of explaining the feeling of connectedness between a majority of the audience who attended the production. [ABSTRACT FROM AUTHOR] |
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