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    المؤلفون: Moles, Francesco

    المصدر: Cuadernos de Filología Clásica. Estudios griegos e indoeuropeos; Vol. 34 (2024); 53-64 ; 1988-2637 ; 1131-9070

    مصطلحات موضوعية: Euripides, Peleus, tragedy, theatre, fragments, Euripide, Peleo, tragedia, teatro, frammenti

    وصف الملف: application/pdf

    العلاقة: https://revistas.ucm.es/index.php/CFCG/article/view/88353/4564456569091Test; Aycock, A. (1992), «Potiphar’s Wife: Prelude to a Structural Exegesis», Man n.s. 27.3: 479-494. https://doi.org/10.2307/2803925Test.; Barrett, W.S. (1964), Euripides. Hippolytos, Oxford, Oxford University Press. https://doi.org/10.1093/actrade/9780198147497.book.1Test.; Bernabé, A. (1987), Textos literarios hititas, Madrid, Editora Nacional.; Bettini, M. (2021), Il sapere mitico. Un’antropologia del mondo antico, Torino, Einaudi.; Boschi, A. (2021), Crizia tragico. Testimonianze e frammenti, Tivoli, Edizioni Tored.; Carletti, G. (2016), Aqhat: i molteplici aspetti del poema mitico, Diss. Pisa. https://core.ac.uk/download/pdf/79620995.pdfTest.; Brillante, C. (1991), «Crescita e apprendimento: l’educazione del giovane eroe», QUCC n.s. 37.1: 7-28. https://doi.org/10.2307/20547074Test.; Cairns, D.L. (1993), AIDŌS. The Psychology and Ethics of Honour and Shame in Ancient Greek Literature, Oxford, Oxford University Press.; Cairns, D.L. (2016), «Clothed in Shamelessness, Shrouded in Grief: The Role of “Garment” Metaphors in Ancient Greek Concepts of Emotion», in G. Fanfani, M. Harlow & M.L. Nosch (eds.), Spinning Fates and Song of the Loom: The Use of Textiles, Clothing and Cloth Production as Metaphor, Symbol and Narrative Device in Greek and Latin Literature, Oxford-Philadelphia, Oxbow Books: 25-41.; Caroli, M. (2020), Studi sulle seconde edizioni del dramma tragico, Bari, Edizioni di Pagina.; Carpanelli, F. (2007), «Frammenti tragici: Euripide e l’incesto», in G. Guidorizzi (cur.), Legami di sangue, legami proibiti. Sguardi indisciplinari sull’incesto, Roma, Carocci: 31-52.; Carpanelli, F. (2015), Da Eschilo a Seneca. Legami pericolosi e scena classica: il connubio tra sacro e profano, Alessandria, Edizioni dell’Orso.; Casamento, A. (2011), Seneca. Fedra, Roma, Carocci.; Celoria, F. (1992), The Metamorphoses of Antoninus Liberalis, London-New York, Routledge. https://doi.org/10.4324/9781315812755Test.; Collard, C., Cropp, M.J. & Lee, K.H. (1995), Euripides. Selected fragmentary plays, Vol. I, Warminster, Aris & Phillips. https://doi.org/10.3828/liverpool/9780856686191.001.0001Test.; Collard, C. & Cropp, M.J. (2008a), Euripides. Fragments: Aegeus-Meleager, Cambridge-London, Harvard University Press. https://doi.org/10.4159/dlcl.euripides-dramatic_fragments.2008Test.; Collard, C. & Cropp, M.J. (2008b), Euripides. Fragments: Oedipus-Chrysippus, Other Fragments, Cambridge-London, Harvard University Press. https://doi.org/10.4159/dlcl.euripides-dramatic_fragments.2008Test.; Conca, F. (2006), «Giuseppe e la moglie di Putifarre. Tra ‘imitatio’ e ‘fabula’», AAP 55: 261-274.; Cozzoli, A.T. (2009), «Il Meleagro di Euripide», in A. Martina & A.T. Cozzoli (cur.), La tragedia greca. Testimonianze archeologiche e iconografiche (Atti del Convegno, Roma 14-16 ottobre 2004), Roma, Università degli studi Roma 3, Dipartimento di studi sul mondo antico 2009: 151-181.; Cropp, M.J. (2020), «Euripides or Critias, or Neither? Reflections on an Unresolved Question», in A. Lamari, F. Montanari & A. Novokhatko (eds.), Fragmentation in Ancient Greek Drama, Berlin-Boston, Walter de Gruyter: 235-256. https://doi.org/10.1515/9783110621693-014Test.; Dolcetti, P. (2004), Ferecide di Atene. Testimonianze e frammenti, Alessandria, Edizioni dell’Orso.; Donadoni, S. (1953), «La seduzione della moglie di Bata», RSO 28.1: 143-148.; Dover, K.J. (1968), Aristophanes. Clouds, Oxford, Oxford University Press. https://doi.org/10.1093/actrade/9780198143956.book.1Test.; Fowler, R.L. (2013), Early Greek Mythography. II: Commentary, Oxford, Oxford University Press.; Francisetti Brolin, S. (2019), Il mito di una famiglia tragica. I frammenti del Meleagro di Euripide, Acireale-Roma, Bonanno.; Frazer, J.G. & Guidorizzi, G. (1995), Apollodoro. Biblioteca, Milano, Adelphi.; Gantz, T. (1993), Early Greek Myth. A Guide to Literary and Artistic Sources, Baltimore-London, Johns Hopkins University Press.; Gelli, E. (2004), «Sofocle e il mito: alcune considerazioni per la ricostruzione e la datazione della Fedra», Prometheus 30: 193-208. https://doi.org/10.14601/prometheus-14386Test.; Gregory, J. (2018), Cheiron’s Way. Youthful Education in Homer and Tragedy, Oxford-New York, Oxford University Press. https://doi.org/10.1093/oso/9780190857882.001.0001Test.; Hartung 1843-1844 = J.A. Hartung, Euripides restitutus sive scriptorum Euripidis ingeniique censura, 2 voll., Hamburgi, Perthes.; Ingrosso, P. (2019), «Il Fenice di Euripide e la Samia di Menandro», Lexis 37: 84-104. http://www.lexisonline.eu/wordpress/wp-content/uploads/2020/02/07_Ingrosso_Lexis-37_2019_estratto.pdfTest.; Ingrosso, P. (2020), «Mechanema e travestimento dal Telefo di Euripide agli Acarnesi di Aristofane», Prometheus 46: 60-89. https://doi.org/10.13128/prometheus-9218Test.; Jouan, F. (1966), Euripide et les légendes des Chants Cypriens. Des origines de la guerre de Troia à l’Iliade, Paris, Les Belles Lettres. https://doi.org/10.4000/books.lesbelleslettres.12523Test.; Jouan, F. (1989-1990), «Femmes ardentes et chastes héros chez Euripide», in M. Geerard, J. Desmet & R. van der Plaetse (eds.), Opes Atticae: miscellanea philologica et historica R. Bogaert et H. Van Looy oblata, The Hague, Uitgave van de Sint-Pietersabdij Steenbrugge, Martinus Nijhoff international: 187-208.; Jouan, F. & van Looy, H. (1998), Euripide. Tragédies. Tome VIII.1. Fragments: Aigeus-Autolykos, Paris, Les Belles Lettres.; Jouan, F. & van Looy, H. (2000), Euripide. Tragédies. Tome VIII.2. Fragments: Bellérophon-Protésilas, Paris, Les Belles Lettres.; Jouan, F. & van Looy, H. (2002), Euripide. Tragédies. Tome VIII.3. Fragments: Sthénébée-Chrysippos, Paris, Les Belles Lettres.; López Salvá, M. (1994), «El tema de Putifar en la literatura arcaica y clásica griega en su relación con la del Próximo Oriente», CFC(G) 4: 77-112.; Lucas de Dios, J.M. (1992), «El motivo de Putifar en la tragedia griega», Epos 8: 37-56. https://doi.org/10.5944/epos.8.1992.9782Test.; Mastromarco, G. (1983), Aristofane. Commedie. Vol. I, Torino, Einaudi.; Mastromarco, G. & Totaro, P. (2006), Aristofane. Commedie. Vol. II, Torino, Einaudi.; Medda, E. (2020), «Passioni proibite. Alcuni personaggi ‘scandalosi’ di Euripide di fronte al proprio eros», Classica 33.2: 77-106.; Meineke, A. (1846), «Censura editionis Wagneri», ZfA 4: 1083-1099.; Nauck, A. (18892), Tragicorum Graecorum Fragmenta recensuit A. Nauck, Lipsiae, Teubner.; Papamichael, E.M. (1982), «Phoenix and Clytia (or Phthia)», Dodone 11: 213-234.; Papamichael, E.M. (1983a), «Bellerophon and Stheneboea (or Anteia)», Dodone 12: 45-74.; Papamichael, E.M. (1983b), «Peleus and Hippolyte Cretheis (or Astydameia)», Dodone 12: 139-152.; Pearson, A.C. (1917), The fragments of Sophocles, 3 voll., Cambridge, Cambridge University Press. https://doi.org/10.1017/CBO9780511707582Test.; Pellegrino, M. (2004), Euripide. Ione, Bari, Palomar.; Pòrtulas, J. (2004), «El silenci endolat d’Estenebea», in F. De Martino & C. Morenilla (cur.), El caliu de l’oikos, Bari, Levante: 503-522.; Preiser, C. (2000), Euripides. Telephos, Hildesheim-Zürich-New York, Georg Olms Verlag.; Roisman, H.M. (1999), Nothing Is As It Seems. The Tragedy of the Implicit in Euripides’ Hippolytus, Lanham-Boulder-New York-Oxford, Rowman & Littlefield.; Scarpi, P. & Ciani, M.G. (1996), Apollodoro. I miti greci (Biblioteca), Roma, Fondazione Lorenzo Valla; Milano, Mondadori.; Roth, P. (2015), Euripides. Hippolytos, Berlin-München-Boston, Walter de Gruyter. https://doi.org/10.1515/9783110215397Test.; Silva, M.F. (2016), «Historias de amor y adulterio. Las Fedras y las Estenebeas de Euripides», REC 43: 175-210. https://bdigital.uncu.edu.ar/objetos_digitales/9590/rec43-08-fatima-silva.pdfTest.; Sommerstein, A.H. (1982), The Comedies of Aristophanes 3: Clouds, Warminster, Aris & Phillips.; Sommerstein, A.H. (1996), The Comedies of Aristophanes 9: Frogs, Warminster, Aris & Phillips.; Sommerstein, A.H. (2006), «Rape and Consent in Athenian Tragedy», in D.L. Cairns & V. Liapis (eds.), Dionysalexandros: Essays on Aeschylus and his Fellow Tragedians in Honour of A.F. Garvie, Swansea, The Classical Press of Wales: 233-251. https://doi.org/10.2307/j.ctvvn9b8.20Test.; Sommerstein, A.H. (2014), «Menander’s Samia and the Phaedra Theme», in S.D. Olson (ed.), Ancient Comedy and Reception. Essays in Honor of Jeoffrey Henderson, Berlin-Boston, Walter de Gruyter: 167-179. https://doi.org/10.1515/9781614511250.167Test.; Sommerstein, A.H., Fitzpatrick, D. & Talboy, T. (2006), Sophocles. Selected Fragmentary Plays, Vol. I, Oxford, Oxbow Books. https://doi.org/10.3828/liverpool/9780856687655.001.0001Test.; Sonnino, M. (2021), «La tragedia, il ‘realismo quotidiano’, la commedia. Euripide, Oreste, 71-131 nella critica antica e moderna», RCCM 63.1: 101-134.; van Herwerden, H. (1889), «[Epistola Critica] Augusto Nauckio Henricus van Herwerden S. D. Q. P.», Mnemosyne n.s. 17.3: 242-274.; Webster, T.B.L (1967), The Tragedies of Euripides, London, Methuen & Co.; Wright, M. (2019), The lost plays of Greek tragedy. Vol. 2: Aeschylus, Sophocles and Euripides, London, Bloomsbury Academic. https://doi.org/10.5040/9781474276450Test.; Xanthaki-Karamanou, G. & Mimidou, E. (2014), «The Aeolus of Euripides: Concepts and Motifs», BICS 57.1: 49-60. https://doi.org/10.1111/j.2041-5370.2014.00065.xTest.; https://revistas.ucm.es/index.php/CFCG/article/view/88353Test

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    مراجعة

    المؤلفون: McOsker, Michael1 mmcosker@umich.edu

    المصدر: Classical Review. Apr2024, Vol. 74 Issue 1, p30-32. 3p.

    مصطلحات موضوعية: *ANCIENT philosophy, *NONFICTION

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    دورية أكاديمية
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    كتاب

    المساهمون: Giuseppe De Gregorio, Marta Luigina Mangini, Maddalena Modesti, maddalena modesti, marta luigina mangini, giuseppe de gregorio

    وصف الملف: ELETTRONICO

    العلاقة: info:eu-repo/semantics/altIdentifier/isbn/9788897099840; info:eu-repo/semantics/altIdentifier/isbn/9788897099857; ispartofbook:Documenti scartati, documenti reimpiegati. Forme, linguaggi, metodi per nuove prospettive di ricerca; firstpage:7; lastpage:26; numberofpages:20; serie:NOTARIORUM ITINERA. VARIA; alleditors:Giuseppe De Gregorio, Marta Luigina Mangini, Maddalena Modesti; https://hdl.handle.net/11585/925955Test; https://notariorumitinera.eu/Scheda_vs_info.aspx?Id_Scheda_Bibliografica=7199Test

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    كتاب

    المؤلفون: pelloso

    المساهمون: Pelloso, Carlo

    مصطلحات موضوعية: cadavere, nossa, Frammenti di Autun, XII Tavole

    وصف الملف: STAMPA

    العلاقة: ispartofbook:CRIMINI E PENE NELL’EVOLUZIONE POLITICO-ISTITUZIONALE DELL’ANTICA ROMA (Atti del Convegno internazionale Trento, 5 e 6 giugno 2019); firstpage:21; lastpage:92; numberofpages:72; https://hdl.handle.net/11562/1119818Test

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    كتاب

    المساهمون: M.L. Mangini, M. Modesti, G. De Gregorio

    العلاقة: info:eu-repo/semantics/altIdentifier/isbn/978-88-97099-85-7; info:eu-repo/semantics/altIdentifier/isbn/978-88-97099-84-0; ispartofbook:Documenti scartati, documenti reimpiegati. Forme, linguaggi, metodi per nuove prospettive di ricerca; 2 - 3 dicembre; volume:7; firstpage:7; lastpage:26; numberofpages:20; serie:NOTARIORUM ITINERA. VARIA; alleditors:M.L. Mangini, M. Modesti, G. De Gregorio; https://hdl.handle.net/2434/969157Test; https://www.storiapatriagenova.it/E_digitali.aspxTest