| الوصف: |
Background: In professional baseball pitchers, pitching biomechanics have not been examined for the slider, and the only known study for the curveball and changeup examined limited kinetics. Moreover, no known studies have investigated pitching biomechanics between strikes and balls. Purpose/Hypothesis: The purpose was to compare pitching biomechanics in professional baseball pitchers among the fastball, slider, curveball, and changeup and between balls and strikes. It was hypothesized that pitching kinematics and kinetics would be similar among the slider, fastball, and curveball; shoulder and elbow forces and torques would be significantly lower in the changeup; and pitching biomechanics would be similar between balls and strikes. Study Design: Controlled laboratory study. Methods: Among 18 professional baseball pitchers, 38 reflective markers were positioned on the body and each player threw 32 to 40 maximum effort pitches—consisting of the fastball, curveball, slider, and changeup pitch types—from a regulation mound to a catcher. The markers were tracked by 18 high-speed 180-Hz cameras, and data were processed and run through a computer program to calculate 25 kinematic parameters, 7 kinetic parameters, and 4 temporal parameters for each pitch type and for both strikes and balls. A 2-way repeated-measures analysis of variance ( P < .01) was used to assess pitching biomechanical differences among pitch type and pitch result (balls vs strikes). Results: During arm cocking, elbow varus torque was 8% to 9% greater in the fastball and slider compared with the changeup, shoulder horizontal adduction torque was 17% to 20% greater in the slider and curveball compared with the changeup, and shoulder anterior force was 13% greater in the curveball compared with the changeup. During arm deceleration, elbow flexor torque was 9% to 14% greater in the fastball compared with the curveball and changeup, and elbow and shoulder proximal forces were 10% to 14% greater in the fastball, slider, and curveball compared with the ... |
