رسالة جامعية
傳統的移植: 香港書法研究(1911-1941). ; Transfer of traditions: a study of Hong Kong calligraphy (1911-1941) ; Study of Hong Kong calligraphy (1911-1941) ; 香港書法研究(1911-1941) ; CUHK electronic theses & dissertations collection ; Chuan tong de yi zhi: Xianggang shu fa yan jiu (1911-1941). ; Xianggang shu fa yan jiu (1911-1941)
| العنوان: | 傳統的移植: 香港書法研究(1911-1941). ; Transfer of traditions: a study of Hong Kong calligraphy (1911-1941) ; Study of Hong Kong calligraphy (1911-1941) ; 香港書法研究(1911-1941) ; CUHK electronic theses & dissertations collection ; Chuan tong de yi zhi: Xianggang shu fa yan jiu (1911-1941). ; Xianggang shu fa yan jiu (1911-1941) |
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| المساهمون: | 陳雅飛., Chinese University of Hong Kong Graduate School. Division of Fine Arts., Chen, Yafei. |
| سنة النشر: | 2008 |
| المجموعة: | The Chinese University of Hong Kong: CUHK Digital Repository / 香港中文大學數碼典藏 |
| مصطلحات موضوعية: | Calligraphy, Chinese--History, Chinese, Chinese--China--Hong Kong |
| جغرافية الموضوع: | China, Hong Kong |
| الوقت: | 20th century, Chinese--History--20th century |
| الوصف: | The development of early Hong Kong calligraphy is the result of the transfer of traditions from the Mainland at a time when the colony was under relative stable British rule whereas China was suffering from prolonged political turmoil. It is marked by a rather conservative character that does not emphasize artistic innovation. The literary men of the 1920s and 1930s did not strive for new styles, let alone the yilao. On a deeper level, early Hong Kong calligraphy is noted not just for its artistic achievements but also its cultural significance since the calligraphers' defense of their national culture can largely be regarded as a reaction to the severe challenges faced by their country. ; The development of Hong Kong calligraphy in the first half of the 20 th century can be traced back to the time when the traditions of calligraphy were brought in by the yilao, or ex-officials from the Qing, and other literary men who migrated to the colony. To put the discussion in its proper perspective, the thirty-year development of Hong Kong calligraphy since 1911 is preceded by a brief survey of the activities of the literary circles led by Wang Tao and Pan Feisheng during late 19th and early 20th century. The main body is then divided into three sections. The first is the cultural activities of the yilao, such as literary gatherings, promotion of Chinese classics and poetry, and their calligraphy. The second is the calligraphy and activities of literary men other than the yilao as represented by three organizations, namely the Hong Kong Branch of Chinese Painting Research Society, Hong Kong Society of Calligraphy, Painting and Literature, and Association of Promoting Chinese Culture. These individuals and organizations made up the art circles in general of the 1920s and 1930s where calligraphy thrived along with painting and literature, and gave rise to a great variety of styles. The third focuses on how calligraphy, traditionally an elitist art, gradually became popular as reflected in numerous gatherings, exhibitions, ... |
| نوع الوثيقة: | thesis |
| وصف الملف: | electronic resource; microform; microfiche; 1 online resource (iv, 538 p. : ill., facsims.) |
| اللغة: | Chinese English |
| ردمك: | 978-1-109-22583-9 1-109-22583-0 |
| العلاقة: | cuhk:344337; http://library.cuhk.edu.hk/record=b6074704Test; https://repository.lib.cuhk.edu.hk/en/item/cuhk-344337Test |
| الإتاحة: | http://library.cuhk.edu.hk/record=b6074704Test https://repository.lib.cuhk.edu.hk/en/item/cuhk-344337Test |
| حقوق: | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0Test/) |
| رقم الانضمام: | edsbas.91637CB1 |
| قاعدة البيانات: | BASE |
| ردمك: | 9781109225839 1109225830 |
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