التفاصيل البيبلوغرافية
| العنوان: |
Vio-lense: A Model for Understanding How Violence and Senses Relate during Refugee Journeys in Europe, and How This in Turn Can Foster Collective Healing. |
| المؤلفون: |
Lewis, Georgina1 (AUTHOR) ghl204@exeter.ac.uk |
| المصدر: |
Social Sciences (2076-0760). Mar2023, Vol. 12 Issue 3, p131. 18p. |
| مصطلحات موضوعية: |
*HEALING, *TEAR gas, *VIOLENCE, *SMELL, *POLITICAL refugees, *RIGHT of asylum, *PHYSICAL contact |
| مصطلحات جغرافية: |
EUROPE |
| مستخلص: |
Introduction: The 'senses'—our sight, sound, taste, smell, and touch—are intrinsic components of our human experience. Trauma recovery practitioners afford the senses to foster healing and draw into awareness the sensations of the traumatised body. Therefore, if the senses are valuable in trauma recovery, then they must also be important in the initial traumatic acts—such as violence. Aim: This ongoing PhD project explores the role of senses in violence committed towards refugees and asylum seekers in Europe. Method: A sensorial model is developed through semi-structured interviews and key engagement with literature and research. Results: An excess and absence of senses are critical in understanding violence endured by refugees and asylum seekers, but also in how violence is witnessed and perceived by others. It is clear people on the move experience violence sensorially throughout their journey. Conclusions: The senses are evidently part of the violence. At times, violence is in sensorial excess: the sounds of camps; the smell of tear gas. Alternatively, a concealment or deprivation of senses can also be violent: camps on the periphery; violence out of sight. Notably, senses (in excess or through concealment) can also be vital components in the survival of violence. "Vio-lense" is a suggested model for considering 'violence' and 'senses' as being essentially interwoven rather than separate. This, in turn, is important for development of collective healing mechanisms and, more widely, defining and understanding violence. [ABSTRACT FROM AUTHOR] |
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