Television drama series’ incorporation of film narrative innovation: the case of 24

التفاصيل البيبلوغرافية
العنوان: Television drama series’ incorporation of film narrative innovation: the case of 24
المؤلفون: Zagalo, Nelson, Barker, Anthony
المساهمون: Barker, Anthony
بيانات النشر: Cambridge Scholars Press
سنة النشر: 2006
المجموعة: Universidade of Minho: RepositóriUM
مصطلحات موضوعية: Kiefer Sutherland, Television, Drama, Narrative, Innovation, Ciências Sociais::Ciências da Comunicação
الوقت: 24
الوصف: Joyard (2003) refers to the past decade as the Golden Age of the American series, mostly in connection with their narrative features and their capacity to arouse emotions. 24 (2001) by Joel Surnow and Robert Cochran illustrates perfectly these innovative capacities in dramatic series. The series concept is everything, making 24 an instant cult object. It is presented as the nearest to real time that any artistic work can achieve. The continuous flow of events from 24 enters our homes through our TV sets permitting us to follow an apparent reality, projected week by week at the same hour, but making us feel a contemporaneous experience from a use of a space/time that struggles against illusion. Creative liberty has permitted the development of new narrative trends (Thompson, 2003), just as unusual aesthetic forms new to television (Nelson, 2001) have striven to deliver greater degrees of realism. Narrative complexity is increasing, becoming more intricate not only at the plot level but also at the level of character development, which might lead us to believe that television series are positioning themselves in the vanguard of visual media narrative.
نوع الوثيقة: book part
وصف الملف: application/pdf
اللغة: English
ردمك: 978-1-84718-008-7
1-84718-008-6
العلاقة: info:eu-repo/grantAgreement/FCT/5876/147330/PT; 1-84718-008-6; http://hdl.handle.net/1822/42127Test
الإتاحة: http://hdl.handle.net/1822/42127Test
حقوق: info:eu-repo/semantics/openAccess
رقم الانضمام: edsbas.E787F4D0
قاعدة البيانات: BASE