رسالة جامعية

The renewal of the ancient Italian poetry in the works of some composers of the early twentieth century in Italy : from the generation of the 80 to Luigi Dallapiccola ; La riscoperta della poesia antica italiana nei compositori del primo Novecento in Italia : dalla generazione dell’Ottanta a Luigi Dallapiccola ; La redécouverte de la poésie ancienne italienne chez les compositeurs du début du vingtième siècle en Italie : de la génération des années 80 à Luigi Dallapiccola

التفاصيل البيبلوغرافية
العنوان: The renewal of the ancient Italian poetry in the works of some composers of the early twentieth century in Italy : from the generation of the 80 to Luigi Dallapiccola ; La riscoperta della poesia antica italiana nei compositori del primo Novecento in Italia : dalla generazione dell’Ottanta a Luigi Dallapiccola ; La redécouverte de la poésie ancienne italienne chez les compositeurs du début du vingtième siècle en Italie : de la génération des années 80 à Luigi Dallapiccola
المؤلفون: Corrent, Vinicio
المساهمون: Toulouse 2, Università degli studi (Trente, Italie), Nardone, Jean-Luc, Uvietta, Marco
المصدر: Theses.fr
سنة النشر: 2017
مصطلحات موضوعية: Littérature, Musique, Mélodrame, Malipiero, Casella, Dallapiccola, Literature, Music, Letteratura, Musica, Melodramma, musiq, art
الوصف: The main purpose of this research was to study the motivations and requirements of a group of Italian composers, born around the years 1880's; for this chronological coincidence defined by Massimo Mila as the composers of the generation of the eighties recognizing the texts of ancient Italian poetry for some of their operas' lyrics. It was a path of investigation taking into account many factors, in particular the interweaving of artistic and literary interests and the cultural historical complexity of the context of the late nineteenth and the early twentieth centuries. Fundamental in the first place was the need to set up chronological indicative terms of the change, in fact, of the real breakthrough determined at European level by the general crisis of positivism reflected in various ways in Italy in the form of a strong reaction to Verismo in literature and to Melodramma specifically within the music. One of the first important aspect that we focused on in the present work was the fact that the composers we took into consideration were creating not only pieces made for the theatre, but also symphonic and instrumental compositions.In conclusion, it was found that the desire of the composers of the beginning of the 20th century to approach to the texts of ancient Italian poetry has been conditioned by many factors, affected by the social, economic, cultural and historical aspects.If there was a merely general interest in that period as far as the literature is concerned, then the same rough times were perceived by each composer in a very unique, personal way and in this research we believe that the significant contribution to the study of this aspect of the 20th century music has been given to a certain extent. ; Lo scopo principale della presente ricerca è stato quello di studiare le motivazioni e le esigenze che hanno portato un gruppo di compositori italiani, nati intorno al 1880, e per questa coincidenza cronologica definiti da Massimo Mila, come i compositori de « la generazione dell’Ottanta » a ...
نوع الوثيقة: thesis
اللغة: Italian
العلاقة: 10670/1.pxyq3i; http://www.theses.fr/2017TOU20091Test
الإتاحة: http://www.theses.fr/2017TOU20091Test
حقوق: other
رقم الانضمام: edsbas.5E18575E
قاعدة البيانات: BASE