دورية أكاديمية
亜欧堂田善製作の銅版画と阿蘭陀版『全世界新地図帖（ニユウエ・アトラス）』の銅版画（上）
| العنوان: | 亜欧堂田善製作の銅版画と阿蘭陀版『全世界新地図帖（ニユウエ・アトラス）』の銅版画（上） |
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| المؤلفون: | 菅野 陽 |
| سنة النشر: | 1984 |
| المجموعة: | Tokyo National Research Institute for Cultural Properties - Publications / 東京文化財研究所刊行物 |
| مصطلحات موضوعية: | 亜欧堂田善 銅版画キューピッドと壷と人物の図・地球儀と洋神・農耕女神像・フロニンヘンの新地図（須賀川市立博物館蔵）・『ニュウエ・アトラス』39ウクライナ・50ギリシャ・54ブランデンブルグ・58ボヘミア（飾り枠銅版画・静岡県立中央図書館蔵）洋風画, “Landscape in Dawn Mist” by Hogai Kano, Tkyo National University of Fine Arts and Music / “River Flowing a Hundred Li” by Hogai Kano, Museum of Fine Arts, Boston / “Cliff and Spray of Water” by Hogai Kano, The Yamaguchi Prefectural Museum of Art / “Eagles in a Ravine” by Hogai Kano, Boston / “Cattle under Willow Trees” by Hogai Kano, Fukui Prefectural Museum of Art |
| الوصف: | A precious copy of Nieuwe Atlas, an eighteenth-century atlas book published in Amsterdam, is kept in Shizuoka Prefectural Central Library and its translation draft by Nitayū MOTOKI, an interpreter of Nagasaki, titled Oranda Zensekai Chizu Sho Yaku and dated September 1790 (Kansei 2), had been handed down by the Matsudaira Family, now being preserved in the Tenri Library. Perhaps it was the case that they were initially donated to the Shogunate as material for national defense and that they were kept by Sadanobu MATSUDAIRA for a time being even after he retired from the vital position of rōchū in the Shogunate. Denzen AŌDŌ attracted the attention of Sadanobu in 1794 and came to be patronized by him. Denzen was ordered by Sadanobu to study the Western etching technique. On reference to the description in Nagata Yuisho, a literature concerning Denzen's personal history, it is presumed that Sadanobu showed this Nieuwe Atlas to Denzen for the purpose of his study although it cannot be clarified when. Denzen produced a good number of modified copies of European engravings but a part of the sources are still unknown. The Present author could locate some of them in the engraving title-cartouche ornamentations of the maps in this book and points out in this paper such models used for “Cupid, a Jar and a Man”, “A Terrestrial Globe and Western God”, “Het Beeltnis van de Akker Godes”, “Nieuwe Kaart van Groningen”, “Picture with the Letters of MASR” and three other etchings by Denzen. Denzen's imitations are not mere duplicates but he often abbreviated certain details and sometimes dared to combine elements from different sources. An example is “Cupid, a Jar and a Man” in which Cupid is taken from a distinct cartouche ornamentation. Denzen not only utilized this book as a mirror for his works but it seems that he extracted many hints out of this book for the margin designs of his etchings representing Japanese landscapes. His employment of Roman letters for the titles in some of his works may also be based on the knowledge ... |
| نوع الوثيقة: | article in journal/newspaper |
| اللغة: | Japanese |
| العلاقة: | https://tobunken.repo.nii.ac.jp/?action=repository_uri&item_id=6387Test; http://id.nii.ac.jp/1440/00006362Test/; 美術研究 = The bijutsu kenkyu : the journal of art studies, (329), 22-33(1984-09-29); https://tobunken.repo.nii.ac.jp/?action=repository_action_common_download&item_id=6387&item_no=1&attribute_id=22&file_no=1Test |
| الإتاحة: | https://tobunken.repo.nii.ac.jp/?action=repository_uri&item_id=6387Test http://id.nii.ac.jp/1440/00006362Test/ https://tobunken.repo.nii.ac.jp/?action=repository_action_common_download&item_id=6387&item_no=1&attribute_id=22&file_no=1Test |
| رقم الانضمام: | edsbas.3CE12FC7 |
| قاعدة البيانات: | BASE |
| الوصف غير متاح. |