دورية أكاديمية
The Composition of Experience in the Musical-Holistic Art of Dario Buccino
| العنوان: | The Composition of Experience in the Musical-Holistic Art of Dario Buccino |
|---|---|
| المؤلفون: | Lombardi Vallauri, Stefano |
| المصدر: | El Oído Pensante, vol. 4, no. 1 ; 2250-7116 |
| سنة النشر: | 2016 |
| المجموعة: | Repositorio Digital Institucional - Universidad de Buenos Aires (RDI UBA) |
| مصطلحات موضوعية: | Contemporary music, performance, automaticity, physical actions, musical analysis |
| الوصف: | Nowadays music is no longer exclusively a performative art: as in the case of electronic music, it can also be produced completely by means of technology, without the live bodily action of an instrumentalist. With respect to this aesthetic paradigm, the Italian composer Dario Buccino (Rome, 1968) does exactly the opposite, creating a music which is even hyper-performative, in that it increases to the highest degree the requirements regarding the performing subject's awareness and free intentionality, and minimizes (human) automaticity. To this end he has developed an original notation system, with many graphical ad hoc solutions, where musical symbols are integrated with indications about the proprioceptive attitude and the physical actions of the performer (often kindred to those of experimental theatre, dance, and body art), above all about the experiences to be felt when playing. Buccino goes farther on the way of Karlheinz Stockhausen's "intuitive music" (about 1968-70), Dieter Schnebel's Maulwerke (1968-74), Helmut Lachenmann's "musique concrète instrumentale", Brian Ferneyhough's extreme demand for effort, and radicalises an approach which instead is typical of other musical genres, where form at all levels arises in composition (often extemporaneous) from the singular physical relationship of the interpreter with the instrument. Keywords: Contemporary music, performance, automaticity, physical actions, musical analysis La composición de la experiencia en el arte musical-holístico de Dario Buccino Hoy la música ya no es exclusivamente un arte performativo: por ejemplo, la música electrónica se puede producir completamente por medio de la tecnología, sin la acción corporal en vivo de instrumentistas. Con respecto a este paradigma estético, el compositor italiano Dario Buccino (Roma, 1968) hace exactamente lo contrario, creando una música aún hiper-performativa, ya que aumenta en sumo grado los requisitos sobre la conciencia y la libre intencionalidad del sujeto actuante y minimiza la automaticidad (humana). ... |
| نوع الوثيقة: | article in journal/newspaper |
| وصف الملف: | application/pdf |
| اللغة: | English |
| العلاقة: | http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/7261/7569Test; http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=4_1-9_htmTest |
| الإتاحة: | http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/7261/7569Test http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=4_1-9_htmTest |
| رقم الانضمام: | edsbas.5DC60E7F |
| قاعدة البيانات: | BASE |
| الوصف غير متاح. |