التفاصيل البيبلوغرافية
| العنوان: |
The issue of landscape painting in the academic universe in the 19TH century: the case of Agostinho José da Mota ; A questão da paisagem no universo acadêmico do século XIX: o caso de Agostinho José da Mota |
| المؤلفون: |
Pereira, Sonia Gomes |
| المصدر: |
Locus: History Journal; Vol. 19 No. 2 (2013): Percursos do Olhar - caminhos da pesquisa nas trilhas da visualidade ; Locus: Revista de Historia; Vol. 19 Núm. 2 (2013): Percursos do Olhar - caminhos da pesquisa nas trilhas da visualidade ; Locus: Revista de História; v. 19 n. 2 (2013): Percursos do Olhar - caminhos da pesquisa nas trilhas da visualidade ; 2594-8296 ; 1413-3024 |
| بيانات النشر: |
Universidade Federal de Juiz de Fora |
| سنة النشر: |
2013 |
| المجموعة: |
Portal De Periódicos Científicos Da Universidade Federal De Juiz De Fora (UFJF) |
| مصطلحات موضوعية: |
Landscape painting, Agostinho José da Mota, Imperial Academy of Fine Arts, Pintura de paisagem, Academia Imperial de Belas Artes |
| الوصف: |
This article is based on two premises: on the one hand, the fact that our historiography has always insisted on the secondary role of landscape among the Brazilian artists of the nineteenth century, on the other hand, the fact that we still know little about this type of painting in the time period between the Taunays in the first half of the century, and the Grimm Group in the 1880s. It is exactly about this interim period that this work aims to contribute by highlighting the artist Agostinho José da Mota. Graduated from Rio de Janeiro Academy, he was the only winner of the Travel Award in the category Landscape Painting during the imperial period and ended up studying in Rome. Subsequently, he was a professor of landscape painting at the Academy for 18 years. He kept his private workshop open to students outside the academic circuit, including women. His known work features landscapes and still lifes. Most are paintings, but he also worked with lithographies. ; This article is based on two premises: on the one hand, the fact that our historiography has always insisted on the secondary role of landscape among the Brazilian artists of the nineteenth century, on the other hand, the fact that we still know little about this type of painting in the time period between the Taunays in the first half of the century, and the Grimm Group in the 1880s. It is exactly about this interim period that this work aims to contribute by highlighting the artist Agostinho José da Mota. Graduated from Rio de Janeiro Academy, he was the only winner of the Travel Award in the category Landscape Painting during the imperial period and ended up studying in Rome. Subsequently, he was a professor of landscape painting at the Academy for 18 years. He kept his private workshop open to students outside the academic circuit, including women. His known work features landscapes and still lifes. Most are paintings, but he also worked with lithographies. ; Este artigo parte de duas premissas: de um lado, o fato de que a nossa historiografia ... |
| نوع الوثيقة: |
article in journal/newspaper |
| وصف الملف: |
application/pdf |
| اللغة: |
Portuguese |
| العلاقة: |
https://periodicos.ufjf.br/index.php/locus/article/view/20728/11108Test; https://periodicos.ufjf.br/index.php/locus/article/view/20728Test |
| الإتاحة: |
https://periodicos.ufjf.br/index.php/locus/article/view/20728Test |
| رقم الانضمام: |
edsbas.BB3AEA1B |
| قاعدة البيانات: |
BASE |
