رسالة جامعية
The generation of cultural centers (Munhwawon sedae) and the new wave of South Korean cinema in the 1980s and 1990s ; La génération des centres culturels (Munhwawon sedae) et la nouvelle vague du cinéma sud-coréen des années 1980–1990
| العنوان: | The generation of cultural centers (Munhwawon sedae) and the new wave of South Korean cinema in the 1980s and 1990s ; La génération des centres culturels (Munhwawon sedae) et la nouvelle vague du cinéma sud-coréen des années 1980–1990 |
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| المؤلفون: | Hong, Sora |
| المساهمون: | Centre de Recherches sur la Corée (CRC-CCJ), Chine, Corée, Japon (CCJ), École des hautes études en sciences sociales (EHESS)-Centre National de la Recherche Scientifique (CNRS)-Université Paris Cité (UPCité)-École des hautes études en sciences sociales (EHESS)-Centre National de la Recherche Scientifique (CNRS)-Université Paris Cité (UPCité), École des hautes études en sciences sociales (EHESS), Dynamiques, Interactions, Interculturalité Asiatiques (D2iA), La Rochelle Université (ULR)-Université Bordeaux Montaigne (UBM), La Rochelle Université (ULR), École des Hautes Études en Sciences Sociales Paris, Alain Delissen |
| المصدر: | https://hal.science/tel-03676161Test ; Histoire. École des Hautes Études en Sciences Sociales Paris, 2019. Français. ⟨NNT : ⟩. |
| بيانات النشر: | HAL CCSD |
| سنة النشر: | 2019 |
| المجموعة: | HAL - Université de La Rochelle |
| مصطلحات موضوعية: | Korean new wave, Cultural legitimation of cinéma, cinephilia, Generation of cultural centers, Munhwawon Sedae, Minjung, PARK Kwang-su, HONG Ki-seon, AHN Dong Kyu, JUNG Sung-il, YI Hyo-in, Légitimation culturelle du cinéma, cinéphilie, génération des centres culturels, nouvelle vague du cinéma sud-coréen, [SHS.HIST]Humanities and Social Sciences/History, [SHS.ART]Humanities and Social Sciences/Art and art history |
| الوصف: | A process of cultural legitimation of the cinema has occurred in South Korea since the 1980s. This thesis focuses on the role that cinephiles grouped under the expression of the Munhwawon sedae, the generation of cultural centers, have played in this process. Accordingly, I analyze this notion, understood as a social network of South Korean cinephiles who emerged as a result of frequenting European countries’ cultural centers in Seoul between 1977 and 1984. The analysis is based on a prosopographic method to understand the relationships between individuals and institutions, particularly the trajectory and various discourses on the Seventh Art of the Munhwawon sedae. As I demonstrate, this trajectory is nourished not only by an intellectual type of European cinephilia but also, more locally, by theories of cultural movement for the minjung (people). The discourses produced on the “South Korean new cinema” therefore exist on the border between art and politics. The latter side was seen as a counterweight to an absurd political system. Thus, I strive to show how the political objective has progressively taken precedence over the artistic objective with the effervescence of the movement for the democratization of the country: the resistance against the presumed incoherence of society then becomes more important than the pursuit of the Seventh Art. Until the end of the political democratization process of the country, a balance is drawn between the aesthetic and political ambition of the Munhwawon sedae. The engagement of these cinephiles within the evolution of the South Korean cinema constitutes a new initiative in the field. Now, the “members” of the Munhwawon sedae, who once were movie fans frequenting European countries’ cultural centers, have spread their cinephilia as directors, producers, critics, and film educators. Overall, this thesis focuses on how, in the mid-1990s, the Munhwawon sedae announced an end to the dark age of South Korean cinema. By positioning itself in this way, literally at the heart of ... |
| نوع الوثيقة: | doctoral or postdoctoral thesis |
| اللغة: | French |
| العلاقة: | tel-03676161; https://hal.science/tel-03676161Test; https://hal.science/tel-03676161/documentTest; https://hal.science/tel-03676161/file/HONG%20Sora_La%20g%C3%A9n%C3%A9ration%20des%20centres%20culturels%20%28Munhwawon%20sedae%29%20et%20la%20nouvelle%20vague%20du%20cin%C3%A9ma%20sud-cor%C3%A9en%20des%20ann%C3%A9es%201980%E2%80%931990_20191125-1.pdfTest |
| الإتاحة: | https://hal.science/tel-03676161Test https://hal.science/tel-03676161/documentTest https://hal.science/tel-03676161/file/HONG%20Sora_La%20g%C3%A9n%C3%A9ration%20des%20centres%20culturels%20%28Munhwawon%20sedae%29%20et%20la%20nouvelle%20vague%20du%20cin%C3%A9ma%20sud-cor%C3%A9en%20des%20ann%C3%A9es%201980%E2%80%931990_20191125-1.pdfTest |
| حقوق: | info:eu-repo/semantics/OpenAccess |
| رقم الانضمام: | edsbas.925B1903 |
| قاعدة البيانات: | BASE |
| الوصف غير متاح. |